Posts Tagged ‘Walt Disney Concert Hall’

Extra! Extra! Win Tickets to See Yefim Bronfman Perform!

barbican-vpo-gergiev2According to the Independent and the Jewish Week, he is also the son of two Jewish musicians, one a Polish pianist and one a Russian violinist, both of whom were forced to flee their homes at the start of World War II. His father was captured by the Nazis as a POW, but, during a march between camps, managed to escape into a nearby ditch, where he proceeded to spend the entire night. A month-long trek to Moscow, a brush with starvation, and a brief prison stint later, Yefim’s father met and settled down with Yefim’s mother in Tashkent, where their young son was “accepted” into the Soviet conservatory as a portion of the two-percent maximum quota for Jews.

This kind of anti-semitism led Yefim and his family to eventually emigrate to Israel. There, Bronfman enrolled at the Rubin Academy of Music at Tel Aviv, where he quickly excelled and won a scholarship—the same scholarship that Itzhak Perlman once won—to be able to study at the Curtis Institute in Philadephia under the great Leon Fleisher.

I only mention all this past, because somehow when you see Bronfman play, even on YoutTube, he seems to be exorcising his roots. It’s no wonder he became so well-known for his renditions of Russian composers; within them, he must have found the way to tell his own beginnings of his own story.

And today, he continues telling that story, one which has become all the more complex and varied as he has grown, become a US citizen, and renowned all over the world. On Wednesday, March 9th at 8:00 PM, he returns to Los Angeles at the Walt Disney Concert Hall with a “kaleidoscopic program pairing the world premiere of Salonen’s Humoreske with Schumann’s Humoreske, plus works by Haydn and Chopin.” To win two tickets to see Bronfman’s powerful presence in person, simply enter your first name, last name, and e-mail address into the form below. If you do so, you will also automatically be entered into
the running for our next three FineArtsLA ticket giveaways as well.

As the writer Phillip Roth once wrote about Bronfman:”With a jaunty wave, he is suddenly gone, and though he takes all his fire off with him like no less a force than Prometheus, our own lives now seem inextinguishable. Nobody is dying, nobody – not if Bronfman has anything to say about it.”

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Engage the Engager! Win Tickets to see Pierre-Laurent Aimard!

image001“I wouldn’t say I’m a pianist – I’m a musician, and the piano happens to be my instrument.” This is a quote from world-famous and widely applauded musician (who specialized in piano) Pierre-Laurent Aimard, and it evinces, in a simple way, one of my main fascinations with those artists who deal in vibrations. They inherently grasp the underlying structure and tools of their craft, and even when they’re just hitting keys on a piano or bowing strings on a cello, they are simultaneously attuning and reacting to a world of sounds. Even anyone who’s ever participated in an amateur garage band before (me) can tell you it’s very hard to play the guitar to a song without knowing the drum beat in your fingers.

And the piano seems to be the epitome of multi-instrumental instruments, as it holds within its audible reach both percussive and stringed qualities, and can, unlike many other species of the orchestra, harmonize with itself at the extreme ends of pitch. It’s no surprise to me that Aimard describes himself as a musician before a pianist, because the more I think about it, the more I realize the piano (or for that matter, any instrument) may just be the musician’s personalized stepping stone to engage with his/her art.

I suppose, then, that leaves us, the listener. How do we engage with these über-talented engagers? Emotionally? Do we feel the music? Intellectually? Do we think about the music? Physically? Do we tap our feet? Or is listening, too, a multi-faceted craft?

If so, we here at Fine Arts LA have your last-minute stepping stone. Once again, two free tickets to see none other than legendary Pierre-Laurent Aimard this Wednesday, December 1st, 8:00 PM, at the Walt Disney Concert Hall in Downtown. Aimard, known for both his classic and contemporary performances and recordings, will be performing pieces by Messiaen, Chopin, and Ravel. For your chance to engage (an a strictly non-monetary level), all you have to do is enter your first name, last name, and e-mail address into the form below, and you will be automatically entered into the running. And, as is customary, every person who enters can also win any one of our next three ticket giveaways (it’s happened before). So don’t just be a blog reader, be a blog engager.

- By Joshua Morrison

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Extra! Extra! A Very Midori Thanksgiving! Ticket Giveaway!

midori-299x300Thanksgiving. The word itself seems like an oxy-moron, especially in LA. Here we are used to saying thanks for getting, and any gift we give should rightfully come with its proper reward in return. And this is all well and good for a city that was built on pure opportunism, but when does this type of self-centered thinking—as opposed to communal—hurt us creatively?

Take the ever-growing Mustaches for Kids craze, for instance: it’s a wildly creative organization whereby volunteers grow mustaches in order to raise money for children’s charities. The thing is that the institution, which is now nation-wide (I even saw filmmaker Darren Aronofsky sporting a mustache), was borne out of Los Angeles. It was started by three friends in a reality TV-show production office who all thought it would be fun to grow mustaches for a month (an act of true creativity, in my opinion). However, despite its success, Mustaches for Kids really took off when it hit New York, the city now considered to be the center of the organization. And there’s only one reason for this re-location: creative pursuits (i.e. no profit involved), whether it be growing mustaches for charity or painting pictures or playing music or putting on plays, etc. can only thrive in a community of supporters.

This is not to say that Los Angeles is completely bereft of such support. In fact, one of the most charitable, not to mention talented, violinists working today, Midori, is based out of LA, and she is performing alongside pianist Robert McDonald at the Walt Disney Concert Hall this Sunday, November 21 at 7:30 PM. Only 28-years-old,  Midori was a musical prodigy sprouting from Japan, who quickly rose to international acclaim, and is now widely recognized as one of the top violinists in the world. But it is her incredible charity work that has truly carved her reputation as an artist. Not only an established educator at USC, she personally founded four different community-centered organizations—Midori & Friends, Partners in Performance, Orchestra Residencies Program, and Music Sharing—beginning the first one when she was just 10-years-old and is still actively involved in all four.

So in the spirit of Midori, and to show our thanks for her giving, we are, in turn, giving away a pair of tickets to see her perform on Sunday night. Not only that, but we are adding in the bonus prize of a pair of tickets to see legendary bass-baritone Bryn Terfel the next night, Monday, November 22nd at 8:00 PM, same location. All you have to do is enter your first name, last name and e-mail address into th form below, and you will automatically be entered into the running to receive both pairs of tickets, and be eligible to win our next three ticket giveaways. Happy Thanksgiving, from Fine Arts LA!

- By Joshua Morrison

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