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Posts Tagged ‘Hammer Museum’

You’re Just Projecting

450Randy and Jason Sklar, better known as the Sklar Brothers, even better known as the hosts of the only ESPN Classic show I’ve ever watched on a regular basis—Cheap Seatsand possibly best known as the Cain and Abel of Hollywood agents in HBO’s Entourage, got their comedic starts amidst the burgeoning “alternative” comedy scene of mid-90’s New York. Back then and over there, such now-defunct clubs as the famous Luna Lounge used to hold regular open-mic nights, where names like Marc Maron, Greg Fitzsimmons, Louis CK, Dave Attell, Sarah Silverman, and many, many more once tuned their respective crafts. The Sklars didn’t immediately fit in. In fact, they stood out, and in a bad way. They’re identical twins, which, in the eyes of the comedy club weary, was synonymous with hacky—not far off from ventriloquism, as both shticks tended to traditionally rely on the straight-man/wacky-man dynamic. In interviews, Randy and Jason have talked about their initial struggle against this assumption, not so much with their audiences as within their act. They had to work hard to eventually to find their patented rhythm of completing one another’s sentences, riffing on topics the other brings up, never disowning their uncanny likeness, yet never relying on it either. Basically, they had to find their true collective self, a feat which simply would not have been possible without the open-mic.

These days, the Sklars still perform almost everywhere in Los Angeles, but have also transitioned into the world of film and television, an industry with lots of microphones (as well as projectors, the mic’s visual equivalent), few of which are “open,” almost none of which are free.  Hence, “Open Projector Night,” hosted by Randy and Jason Sklar, this Tuesday, August 17, 8:00 PM at the Hammer Museum. Free popcorn, cash bar, and a first-come-first-serve policy for any under-ten-minute film or video out there, these semi-regular nights have developed a reputation for rowdiness, rudeness, and yes, even the occasional cinematic gem. Come screen-test your private masterpiece (submissions begin at 7 PM), or just support your local filmmakers by getting drunk and voting them off the docket completely.

The Sklar Brothers, more than most, know what its like to struggle for an identity, and they’ve kind of made an on-screen career out of it (not to mention, paved the way for stellar teams like the Walsh Brothers). So if you’re tired of being constantly confused for someone you’re not, of having to dress different to stick out, of explaining the subtle yet imperative dissimilarities between you and that other idiot, just leave it in the hands of Sklars. They may not love your work, they may make some clever jokes at your expense, but they’ll at least give you a mic.

For  more information about “Open Projector Night” and Hammer Public Programs (all of which are free), please visit www.hammer.ucla.edu, or call 310.443.7000.

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Posted in Art, Bring Your Flask, Contemporary Art, Film, Food & Drink, Museums, Neighborhoods, Performance, Personalities, Save + Misbehave, Video Art, West LA No Comments »

In Print: Jacob Samuel’s “Outside the Box”

25The Edition Jacob Samuel exhibition, titled “Outside the Box,” celebrates LACMA and the Hammer Museum’s joint acquisition of the collection of 43 print portfolios produced by Jacob Samuel in collaboration with a host of international artists from 1988-2009. Samuel generally works with intaglio techniques, such as aquatint and engraving, but his deployment of these techniques is as varied as the group of artists he has worked with over the twenty-two years of his studio’s existence. Above all, he responds to each individual artist’s concepts and visions, helping them translate their practices into a reproducible medium. Samuel offers expertise and guidance, but in his own words, he “just show[s]up.” The finished prints themselves run the gamut of styles, from abstraction to representation, from seeming spontaneity to carefully planned and arranged wholes, from the organic to the mechanical. This range of practices and subject matter makes for a compelling exhibition.

Among the most intriguing portfolios were those that emphasized process or performance. Marina Abramovic’s Spirit Cooking, as its title implies, was envisioned as a metaphysical cookbook of sorts. The images themselves are sometimes gestural and indexical—images were scratched into the ground with the artist’s fingernail, or spit bites performed with actual spit, or handprints done in acid-resistant ground. The images interact with the printed text, complementing it with gestural impressions that somehow relate to the words, and by creating a rhythmic separation that distinguishes one ‘recipe’ from the next. Ed Moses’ Abstraktion and Apparition is a series of etched abstractions that seem at once spontaneous and carefully crafted. Spontaneous, because the organic forms recall abstract expressionist paintings, and crafted, because these images are executed in a highly process-driven medium.

Also on display is Samuel’s expertise and skill as a technician. James Welling’s Quadrilaterals and Jene Highstein’s Five Works both rely on dense patches of black without irregularity, while the images from Josiah McElheny’s White Modernismare barely there, ghostly white on white forms. Joe Goode’s Storm Trees series features fluid and amorphous illustrations, while Barry McGee’s Drypoint on Acid prints rely on a process that allows the artist to draw directly onto the plate, mimicking the original pencil drawings.

Jacob Samuel is an interesting figure—a master printer whose collaborations have intersected the careers of some of the most celebrated artists of the day—and “Outside the Box” tries very hard not to let you forget it. Certain placards perhaps go into too much detail about superficial aspects of Samuel’s relationships with the artists (i.e. Did you know he shares a common interest in jazz music/rock music/surfing with artist X?). Certainly Samuel’s resume is impressive, and the brief documentary and interview in the exhibition brochure explain how these relationships are important, but at a certain point the information begins to seem gratuitous or redundant.  This criticism is minor compared to the depth and breadth of work on display.

- By Joe Capezzuto

“Outside the Box” will be on display at the Hammer Museum through August 29th, 2010.  The work on display can be seen atwww.editionjs.com.

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Posted in Art, Contemporary Art, Exhibitions, Mixed media, Museums, Neighborhoods, Personalities, West LA No Comments »